Professional stage lighting transforms a presentation, a performance, or a venue from functional to memorable. The difference between a presenter standing under flat house lighting and the same presenter lit with two well-positioned fresnels is immediate and dramatic; for the live audience and for any camera in the room. Edwards hires a complete range of stage and theatre lighting for corporate events, school productions, theatre performances, live streaming, photography, gallery display, and architectural applications across Auckland.
The hire range covers every layer of a professional lighting rig. Variable white LED fresnels for broadcast-safe key lighting and stage wash. Profile spotlights for precise beam control, specials, and gobo projection. Moving heads and wash lights for colour, drama, and effects. Battery-powered uplights for architectural and décor lighting without cable runs. DMX controllers from a simple 6-channel desk up to a full 1,024-channel console. And complete packages that bundle fixtures, stands, and cabling so everything needed arrives in one delivery.
All LED fixtures in the hire fleet are selected for broadcast compatibility. The F300WWMZ warm white fresnel runs at 8,000Hz PWM — the highest in the fleet and effectively flicker-free at any camera frame rate. The variable white fresnels (F96VW and F200VW) run at 1,200Hz with 16-bit dimming and CRI 95+, safe for video recording, livestreaming, and photography. If the event involves a camera of any kind, such as professional broadcast, in-house recording, a live stream, a PTZ conference camera, or a Zoom call, and the Edwards team can advise on the right fixtures and colour temperature matching for the application.
Fixtures available for hire include:
Fresnels: F96VW variable white (fanless, silent, CRI 95+), F200VW variable white (fanless, plano-convex lens, 6,500K), F300WWMZ warm white (300W, 8,000Hz PWM, broadcast-safe), and the legacy FRES650 and FRES1200 halogen fresnels with dimmers for traditional theatre applications.
Profile spotlights: OperaVW 300W variable white profile with iris, gobo holder, and silent fan for precise key lighting, corporate specials, and gobo projection.
Moving heads and wash lights: HAVOCH200 200W hybrid profile with gobos and prism, HAVOCH600 640W hybrid with framing shutters and CMY colour, HAVOCW19 19x40W RGBW zoom wash, LM7X30W compact RGBW zoom wash.
Stage wash and effects: PIXBAR12H 12-cell RGBWAU pixel bar for cyc and backdrop wash, battery-powered PARBATT uplights for wireless architectural colour, LITEPADQ18 IP65 outdoor uplights.
Controllers: QuickQ20 1,024-channel ChamSys lighting desk, Wolfmix W1 MK2 for DJ and beat-synced events, and simple DMX6 6-channel controllers for straightforward stage setups.
Packages: STAGEW1200 two-fresnel warm white package with controller, stands, and all cabling included.
School productions and auditoriums. Two or three LED fresnels cover most school hall stages adequately and the improvement over standard house lighting is significant for both the live audience and any recording. Simple DMX packages with an integrated controller are easy for a teacher or parent volunteer to operate confidently.
Corporate presentations and conferences. Front wash fresnels at 45 degrees from each side of the stage, matched to the camera's white balance and barn-doored to avoid spilling onto the projection screen, give a presenter the kind of professional illumination that makes a difference on camera and in the room. Variable white fixtures allow colour temperature to be adjusted on the day to suit the venue and the camera.
Livestreaming and hybrid events. Any event with a camera needs lighting designed for the camera, not just the room. Edwards stocks broadcast-safe fixtures with confirmed PWM frequencies and variable colour temperature for matching any camera white balance. The team can advise on simple single-fresnel Zoom setups through to fully produced streaming rigs.
Theatre and live performance. A professional lighting rig for theatre uses front wash fresnels for general illumination, profile spotlights for specials and key positions, a cyc or backdrop wash for colour and atmosphere, and moving heads or effects for dynamic moments. Edwards has the fixtures and controllers for all of it, from a school drama production to a professional run.
Photography and video production. CRI 95+ variable white fresnels and profile spotlights provide accurate, controllable continuous light for product photography, portrait work, video shoots, and interview setups. Fanless options eliminate fan noise from audio tracks.
Architectural and venue theming. Battery-powered PARBATT uplights for pillars, walls, and trees without mains cable runs. IP65-rated LITEPADQ18 for outdoor architectural uplighting. Moving wash lights and pixel bars for venue colour theming and branding at gala dinners and launches.
Rental and production companies. Short-term and long-term hire available for production companies requiring supplementary stock for specific events or productions.
Do you offer theatre lighting rental for short-term hire?
Yes. Single-night event hires, multi-day production runs, and longer term hires for multi-week theatre seasons are all available. Contact the hire team to discuss your dates and requirements.
Can I book audio and lighting as a complete package?
Yes, and it is often the most practical approach. Edwards covers both sound and lighting, so a single call produces a quote for a complete production package — PA system, microphones, lighting rig, and any additional AV requirements — without needing to coordinate multiple suppliers.
Does my event qualify for broadcast lighting advice?
If there is a camera present at the event in any form — professional broadcast, in-house recording, live stream, conference camera, or Zoom — it qualifies. The camera type does not change the lighting requirements. Contact the hire team and let us know what kind of camera will be there and what white balance it will be set to, and we will specify the right fixtures for the application.
Can someone set up and operate the lighting on the day?
Yes. A self-collect approach works well for straightforward packages such as the STAGEW1200, where everything is included and the setup is designed to be manageable without specialist knowledge. For more complex rigs, high-ceiling hanging positions, or events where the lighting needs to be right first time without adjustment, an Edwards technician can deliver, install, focus, and operate the lighting for the event. Contact the hire team to discuss which approach suits your event.
How much notice do I need to book?
For standard packages, a few days notice is usually sufficient for most dates. For larger productions, events with specific fixture requirements, or peak periods, earlier booking is recommended to ensure availability. Contact the hire team at hire@edwardsnz.co.nz or (09) 571 0551 to check availability for your dates.